Analysing Popular Music
Image, Sound and Text
- David Machin - Örebro University, Sweden
Analysing Popular Music is a lively look at the semiotic resources found in the sounds, visuals and words that comprise the 'code book' of popular music. It explains exactly how popular music comes to mean so much. Packed with examples, exercises and a glossary, this book provides the reader with the knowledge and skills they need to carry out their own analyses of songs, soundtracks, lyrics and album covers.
Written for students with no prior musical knowledge, Analysing Popular Music is the perfect toolkit for students in sociology, media and communication studies to analyse, understand - and celebrate - popular music.
This book is engaging and informative, and should provide students with an analytical 'tool-kit' to improve their understanding of the complexities of popular music.
Recommended for the following modules:
BA - 2nd year Marcoms
BA - 3rd year Advertising
BA - 3rd year Branding
MA - Marcoms, Branding and Advertising
An interesting and insightful book, which will help students to consider the role of music in depth. Of particular use to dissertation students
This textbook covers a very contentious debate about the relationship between: (a) popular music &; (b) youth issues. It clearly exposes the strength of such a relationship & discusses ways in which popular music can play a highly positive role in addressing (& overcoming) many problems which many young people can encounter throughout their adolescence,
Just perfect on every level but particularly well broken down and accessible
This is an accessible and informative text, which introduces students to key concepts through the use of varied and relevant contemporary examples.
Clear and accessible introduction to approaches and methods for the analysis of popular music.
fine for beginners!
This is a well informed and clearly structured book with some useful insights that could act as a springboard for further classroom discussions. A really useful book that combines both the musicological and cultural aspects of popular music to enable a well rounded analysis of the form.
I consider this to be an original and useful text for the study of popular music. It is written in a language that is easy to understand (for both musicians and non musicians alike) and has many incredibly useful concepts to inspire future research. I will be asking my library to include the text as supplementary reading on the course, and I will certainly be using the text in my lecture series next semester.
The book seems to fit perfectly into our course "The Aesthetics of Popular Culture in the 20th Century" (undergraduate course for international students); we are, however, planning to construct a new course with special focus on music and popular culture in intermedia studies (also for international students). The new course is due spring 2011. Intermedia studies focus on how meaning is constructed, which means that in order to analyse e.g. musical meaning one has to consider the way music is presented to us (the context); music is almost always multi- and intermedial (even so-called instrumental classical music). That's why Analysing Popular Music: Image, Sound and Text is a book fits into intermedia studies.
