Visual Methodologies
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Visual Methodologies

An Introduction to Researching with Visual Materials

Third Edition

Companion Website


© 2012 | 408 pages | SAGE Publications Ltd
"If you need to carry out research into visuals then Rose's book provides straight forward practical assistance for how to do so... She explains clearly how we can deal with the visual from diverse approaches such as content analysis, semiotics, psychoanalysis and discourse analysis, all explained carefully, using examples, in terms of the stages of a research project."
- David Machin, Cardiff University

"The authoritative introductory text on the methods of visual research. Conveying the richness and excitement of visual culture research, Rose expertly navigates across a range of methodologies, explaining in detail their particular usefulness and limitations through practical examples."
- Julie Doyle, University of Brighton

"A welcome overview of the state of the field. Visual Methodologies succeeds both as an introductory text, certain to be widely adopted in the classroom, and as a sophisticated refresher course for those who have followed the rapid maturation of this remarkable interdisciplinary discourse
- Martin Jay, University of California, Berkeley

With over 25,000 copies sold worldwide, Gillian Rose's book is the bestselling critical introduction to the study and analysis of visual culture.

Each chapter provides a rigorous examination and demonstration of an individual methodology, with case studies, colour images, suggested further reading and visual examples throughout.

Reflecting changes in the way society consumes and creates its visual content, the updated Third Edition includes:

  • A companion website featuring additional examples of digital media, social media, and moving images. Visit www.sagepub.co.uk/rose
  • An additional chapter and expanded coverage on social and new media, and more information on the mass media in general (TV, print and broadcasting)
  • An expanded focus on how each method can be used in relation to a range of different visual materials
  • A new chapter on how to use visual materials for research and the presentation of research findings.

A now classic text, the book will be used by undergraduates, postgraduates, researchers and academics looking to understand and clearly grasp the complex debates and ideas in visual analysis and interpretation.
Chapter 1: Researching with Visual Materials - A Brief Survey
An Introductory Survey of 'the Visual'  
Understanding the Social Effects of Visual Materials  
Three Criteria for a Critical Visual Methodology  
Chapter 2: Towards a Critical Visual Methodology
The Three Sites of Production, the Image Itself and Its Audiencing  
The Site of Production  
The Site of the Image  
The Site of Audiencing  
Chapter 3: How to Use This Book
Reading This Book Selectively on the Basis of Sites and Modalities  
Reading This Book Selectively on the Basis of Having Found Some Images  
Why you Should Also Read Books Other Than This One  
How Each Chapter Works  
A Quick Word on Finding Your Images  
Another Quick Word, on Referencing and Reproducing Your Images  
Chapter 4: 'The Good Eye': Looking at Pictures Using Compositional Interpretation
Compositional Interpretation: An Introduction  
Doing Compositional Interpretation: Technologies and the Production of the Image  
Doing compositional interpretation: The compositionality of the Image Itself  
Compositional Interpretation: An Assessment  
Chapter 5: Content Analysis: Counting What You (Think You) See
Content Analysis: An Introduction  
Four Steps to Content Analysis  
Content Analysis: An Assessment  
Chapter 6: Semiology: Laying Bare the Prejudices beneath the Smooth Surface of the Beautiful
Semiology: An Introduction  
Choosing Images for a Semiological Study  
The Sign and its Meaning-Making Processes in Mainstream Semiology  
Making Meaning Socially: Social Semiotics  
Semiology: An Assessment  
Chapter 7: Psychoanalysis: Visual Culture, Visual Pleasure, Visual Disruption
Psychoanalysis and Visuality: An Introduction  
A Longer Introduction to Psychoanalysis and Visuality: Subjectivity, Sexuality and the Unconscious  
How is Sexual Difference Visual 1: Watching Movies with Laura Mulvey  
How is Sexual Difference Visual 2: From the Fetish to Masquerade  
From the Voyeuristic Gaze to the Lacanian Gaze: Other Ways of Seeing  
From the Disciplines of Subjection to the Possibilities of Fantasy  
Queer Looks  
Reflexivity  
Psychoanalysis and Visuality: An Assessment  
Chapter 8: Discourse Analysis: Text, Intertextuality, Context
Discourse and Visual Culture: An Introduction  
An Introduction to Discourse Analysis I and Discourse Analysis II  
Finding Your Sources for a Discourse Analysis I  
Discourse Analysis I: The Production and Rhetorical Organization of Discourse  
Discourse Analysis I And Reflexivity  
Discourse Analysis I: An Assessment  
Chapter 9: Discourse Analysis II: Institutions and Ways of Seeing
Another Introduction to Discourse and Visual Culture  
Finding Your Sources for Discourse Analysis II  
The Apparatus of the Gallery and the Museum  
The Technologies of the Gallery and Museum  
The Visitor  
Discourse Analysis II: An Assessment  
Chapter 10: To Audience Studies and Beyond: Ethnographies of Television Audiences, Fans and Users
Audience Studies: An Introduction  
Audiences, Fans and Users  
Audience Studies Researching Audiences and Fans  
Ethnographies of Visual Objects  
Ethnographic Studies of Audiencing: An Assessment  
Chapter 11: Making Photographs as Part of a Research Project: Photo-Documentation, Photo-Elicitation and Photo-Essays
Making Photographs as Part of a Research Project: An Introduction  
Photo-Documentation  
Photo-Elicitation  
Photo-Essays  
Making Photographs as Part of a Research Project: An Assessment  
Chapter 12: Ethics and Visual Research Methods
An Introduction to Research Ethics and Visual Materials  
Consent, Anonymity, Copyright  
Consent  
Anonymity  
Copyright  
Conclusions: Ethics, Visual Research and Contemporary Visual Culture  
Chapter 13: Visual Methodologies: A Review
Introduction  
Sites, Modalities and Methods  
Mixing Methods  
Useful Reading on Various Visual Materials  
List of Key Terms  

Sample Materials & Chapters

Visual Methodologies: Researching with Visual Materials

Visual Methodologies: How to use this Book


Supplements

Companion Website

This website has been specially developed for the third edition to provide further instruction, resources and examples, as well as interactive activities and exercises that allow you to practice specific methods or see them in action.

Use the links on the navigation bar to the left to explore information about the book and its author, additional resources by chapter, and the individual activities and exercises.

Some browsers will require you to enable popups or ActiveX when prompted for the interactive content in this site to work properly.

Several of the pages contain links to freely available documents in PDF format. If you need a PDF reader, try Sumatra or PDF-XChange Viewer.

Your comments and questions about this website are always welcome. Please contact market@sagepub.co.uk.

If you need to carry out research into visuals then Rose's book provides straight forward practical assistance for how to do so. Along with a history of this emerging field she explains clearly how we can deal with the visual from diverse approaches such as content analysis, semiotics, psychoanalysis and discourse analysis, all explained carefully, using examples, in terms of the stages of a research project. This new edition will be key material for undergraduate studies
David Machin
Cardiff University


Clear, comprehensive, theoretically informed, and up to date, Visual Methodologies is an excellent guide to the rapidly growing field of visual research
Theo van Leeuwen
University of Technology, Sydney


Substantially updated to include a wide range of visual media examples, Gillian Rose's Visual Methodologies remains the authoritative introductory text on the methods of visual research. Conveying the richness and excitement of visual culture research, Rose expertly navigates across a range of methodologies, explaining in detail their particular usefulness and limitations through practical examples. For anyone already familiar with Visual Methodologies, this third edition offers a significant reworking of previous content, to include developments in the field of audience/fan cultures, digital media, ethics and image production as research practice. As such, Rose demonstrates the evolving nature of visual research and its methods, and reminds us of the passion involved in its study. It is a must buy for students and scholars alike
Julie Doyle
Principal Lecturer in Media Studies, University of Brighton


As of its first edition Visual Methodologies established itself as one of the better books to obtain a well-balanced introductory overview of different approaches to visual analysis and each revision further adds to its quality.

Rose's book is mainly (except for one chapter) focused on methodologies for analyzing 'found' or pre-existing images (as opposed to producing visual data or analyzing visual phenomena that are not images) but it does that in a very systematic and practical manner, clearly highlighting the exact modus operandi as well as the specific strengths and weaknesses of each of the methods or analytical frameworks. Of particular value is the attention devoted to mixing different methods, as far too often methods and theories are presented as distinct and even incompatible options
Luc Pauwels
Professor of Visual Studies, University of Antwerp


An accessible text book that provides the student of visual culture necessary tools and insights on how to analyze images. The book is unique in bridging a wide range of methodologies from the humanities and the social sciences. Rose's in-depth and systematic discussion of theories and methods, as well as masterful handling of case studies and examples, will provide the reader with a valuable overview
Anneke Smelik
Professor of Visual Culture, Radboud University Nijmegen


Gillian Rose has provided a welcome overview of the state of the field. Visual Methodologies succeeds both as an introductory text, certain to be widely adopted in the classroom, and as a sophisticated refresher course for those who have followed the rapid maturation of this remarkable interdisciplinary discourse
Professor Martin Jay
University of California, Berkeley



This title is one of the best visual methodologies textbooks with it's nice combination of theories and techniques.

Mr Taisik Hwang
Journalism Dept, University Of Georgia
June 13, 2015

Gillian Rose does a very good job at presenting a comprehensive view of the different ways of approaching visual materials for research in the humanities. At once a fantastic teaching resource and a very helpful tool for students.

Dr Jean-Baptiste Gouyon
Science and Technology Studies, University College London
June 8, 2015

this book is very recommended for further reading to all L3 yr2 learners

Mr Brendon Pettit
creative studies, Great Yarmouth College
March 30, 2015

Useful as a supplemental field work text for more ambitious or creative students

Ms Anna Hawkins
Urban Studies , Sheffield Hallam University
February 12, 2015

For instructors

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