Understanding the Music Industries
- Chris Anderton - Southampton Solent University, UK
- Andrew Dubber - Birmingham City University, UK
- Martin James - Southampton Solent University, UK
Packed with case studies, this book:
• Takes the reader on a journey from Glastonbury and the X-Factor to house concerts and crowd-funded releases;
• Demystifies management, publishing and recording contracts, and the world of copyright, intellectual property and music piracy;
• Explains how digital technologies have changed almost all aspects of music making, performing, promotion and consumption;
• Explores all levels of the music industries, from micro-independent businesses to corporate conglomerates;
• Enables students to meet the challenge of the transforming music industries.
This is the must-have primer for understanding and getting ahead in the music industries. It is essential reading for students of popular music in media studies, sociology and musicology.
An insightful investigation into the contemporary music industry which is essential reading for all undergraduate music students. Numerous components of the text are not well represented in other similar books, and it also avoids possessing an American focus. It was well-written, organised and thoroughly interesting. A large number of examples augmented many of the points raised and helped to contextualised the study.