Bollywood Baddies
Villains, Vamps and Henchmen in Hindi Cinema
- Tapan K. Ghosh - former head, Department of English, Rabindra Bharati University, Kolkata
Communication and Media Studies (General) | Film and Cinema | Mass Communication (General)
The narrative begins with Ashok Kumar's negative role in Kismet as early as 1943, and goes up to the Agneepath remake (2012), where Sanjay Dutt plays Kancha Cheena, earlier essayed by Danny Denzongpa in the original. In between, it discusses all major villains, from Lala Sukhiram (Mother India) to Gabbar (Sholay) to "Lion" Ajit (Kalicharan) to Mogambo (Mr. India), and many others. While keeping villains in the focus, it also discusses popular henchmen and vamps, like M B Shetty, Sharat Saxena, Nadira, Bindu, Helen, among others, to understand the dimension of the villains' empire. After all, it's our villains who make our protagonist the hero we all admire.
An engrossing read, this book is for every film buff.
One of the most satisfying reads on Hindi cinema in a long time.... if you enjoy Hindi films, have grown up watching them and enjoy reading a good piece of work about them, this book is for you.
[The book] minutely documents the evils that have garnered so much attention in the film industry.... Ghosh’s book convincingly bears the notion of detailed planning...this is one of the very few good attempts to immortalise those bad boys who have done good to Indian cinema.
This passionately written history of screen villainy could inspire further research opening up the floor for a debate on the meaningful role of evil in popular hindi cinema as well in the academic discourse...both an informative and foremost entertaining read...presents many ingenious analytical details and smaller these along with a historical outline...a compact read but well-laid table of cinematic moments to feast on.... With his passionate writing style Tapan K Ghosh refreshes our memory of many great moments of screen villainy and rightfully celebrates bollywood’s baddies as agents of immense cinematic pleasure.