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Engendering Performance
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Engendering Performance
Indian Women Performers in Search of an Identity

First Edition

Other Titles in:
Culture and Gender | Dance | Drama

August 2016 | 328 pages | SAGE Publications Pvt. Ltd
This book is a comprehensive critical history of women artistes in Indian theatre and dance of the colonial and post-colonial periods. Its underlying premise is that one cannot evaluate such performances in the Indian context without looking at dance and theatre together, unlike the course taken by traditional scholarship. The author weaves together issues of sexuality and colonialism, and culture and society to provide a holistic account of women performers in India.

The distinguishing features of this book are: a close reading of archival materials, field surveys and extensive interviews that provide new information and insights. The book is divided into two sections, on the Actress and on the Danseuse, and displays how the two evolved in different ways. In doing this, it explores the theme of identity and body politics, while simultaneously balancing a historical narrative with emphasis on crucial individual topics.

The book adopts a pluralistic approach combining history, economics, cultural studies, popular culture, anthropology, ethnography and feminist criticism. Archival photographs—some of which have never been published before—make it a collector’s item.
Foreword SAMIK BANDOPADHYAY

Ghulam Nabi Azad
Introduction

 
 
I: THE STORY OF THE ACTRESS
Actresses of the Colonial Space: English Actresses in India

 
Locating a New Space and Identity: Coming of the Indian Actresses

 
Locating a New Space and Identity: Coming of the Indian Actresses

 
Actresses in the Jatra Space

 
 
II: OF THE WOMAN DANCER
Natyasastra: Emerging (Gender) Codes and the Woman Dancer

 
The Body and the Woman Dancer: What She is, or What She is Expected to be

 
Emergence of the Contemporary Woman Dancer: Contribution of Tagore, Shankar and IPTA

 
Tale of the Professional Woman Dancer in Folk Traditions in India: Commodification of Dance and the Traditional Dancing Women

 
 
Conclusion: In Conversation with Samik Bandyopadhyay
 
Bibliography
 
Index

This is a book for academicians engaged in performing arts and for dancers and women performers in theatre especially.

Organiser

The book is a comprehensive critical history of women artistes in Indian theatre and dance of colonial and post-colonial periods. Its underlying premise is that one cannot evaluate such performances in the Indian context without looking at dance and theatre together, unlike the course taken by traditional scholarship. The author weaves together issues of sexuality and colonialism, and culture and society to provide a holistic account of women performers in India. Archival photographs—some of which have never been published before—make it a collector’s item.

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