Nineteenth Century Theatre and Film
This journal is a member of the Committee on Publication Ethics (COPE).
For nearly half a century, Nineteenth Century Theatre and Film has stood at the forefront of research in nineteenth-century performance of all kinds, construing theatre and film comprehensively. The journal welcomes discussion on any topic within the wide variety of theatrical arts that emerged from the Age of Revolution to the advent of sound motion pictures, as well as all ‘pre-cinema’ optical and narrative forms, ‘silent’ motion pictures and illusions. Considering narrative or variety entertainments from all countries and regions, Nineteenth Century Theatre and Film embraces not only drama and film but also dance, opera, music hall, circus, fairground entertainment, puppetry and other forms which implicate live audiences (actual, potential or imaginary). The journal regularly publishes essays, book reviews and review essays. Documents in photographic or critical facsimile and in annotated critical editions are also published, providing valuable primary material for the working scholar.
Nineteenth Century Theatre and Film welcomes book review submissions. Please submit Theatre books to Lucie Sutherland and Film books to Vincent Longo. Address information can be found in the Further Information section of the Submission Guidelines here.
Janice Norwood | University of Hertfordshire, UK |
Patricia Smyth | University of Warwick, UK |
Sharon Weltman | Texas Christian University, USA |
Lauren Eriks Cline | St Norbert College, USA |
Vincent Longo | University of Michigan, USA |
Madhukari Guha | Texas Christian University, USA |
Brittany Sanders | Texas Christian University, USA |
Peter Bailey | University of Manitoba, Canada |
Jacky Bratton | Royal Holloway, University of London, UK |
Daphne A. Brooks | Yale University, USA |
Jon Burrows | University of Warwick, UK |
Marvin Carlson | Graduate Center, City University of New York, USA |
Tracy Davis | Northwestern University, USA |
Victoria Duckett | Deakin University, Australia |
Sos Eltis | Brasenose College, Oxford, UK |
Viv Gardner | University of Manchester, UK |
Christine Gledhill | University of Sunderland, UK |
Moira Goff | Garrick Club, London |
Catherine Hindson | University of Bristol, UK |
Veronica Kelly | University of Queensland, Australia |
David Mayer | University of Manchester, UK |
Rohan McWilliam | Anglia Ruskin University, UK |
Heather Nathans | Tufts University, USA |
Kate Newey | University of Exeter, UK |
Jane Pritchard | Victoria and Albert Museum, UK |
Caroline Radcliffe | University of Birmingham, UK |
Thomas Riis | American Music Research Center, University of Colorado at Boulder, USA |
Richard Schoch | Queen's University Belfast, UK |
Laurence Senelick | Tufts University, USA |
Matthew Solomon | University of Michigan, USA |
Carolyn Williams | Rutgers University, USA |
Peter Yeandle | University of Loughborough, UK |
Edward Ziter | New York University, USA |
Manuscript submission guidelines can be accessed on Sage Journals.